This is the Modern World

I didn't hear the first two of Frank Cottrell Boyce's five Friday Plays having to do with punk and an audience reunion of, like, 27 people from a punk show in 1977.

But I did hear three and four.
Part 3: Damned, Damned, Damned is a prison drama with some interesting characters and plot turns. Here we have an audience member, or rather sort of bouncer, who is now in prison and in spite of his on-going anger problem, or because of it, has given his life to Christ in his very own muddled fashion. He has been invited to the audience reunion and wants to go except that he happens to be in prison. There is some interaction with the younger set in the can when our old punk guy talks about the bands of the past and tells them about the option of glue sniffing which I thought it rather odd. I would imagine all people in prison would know exactly what kind of stuff, that might be around the prison, one can get high from. Then he undergoes a change of approach to the younger set in the can, but it is an uneasy transition with some fits and starts.
Anyway, it was a pretty good play as far as I can remember from a week or so ago when I listened (Ah yes! the subjective nature of listening. Where was my mind that day?).

I have come here today to write about the most recent One Chord Wonders play,
This is the Modern World.
This must be the one that Frank Cottrell Boyce describes as: ". . . a road comedy that lurches into something surprisingly sad for the last ten minutes." It is a rather wild ride, or rather, walk. It's also a father/daughter buddy story and a fish out of water story.
The result is quite delightful with several surprises and some wonderful dialog and one liners along the way. On returning to civilization Muttley states that it was boring before, now it's boring and corporate. I could say that about my home town..

The play has this rather loopy looking-back from the future aspect. I'm not exactly sure why Cottrell Boyce made this choice other than he thought it would be fun to throw in, which I tend to agree. One can hear the joy of the free creative process in this play since it is so much fun and loopy while still dealing with some issues of the day, yesterday and today.
The ending turns into sort of a mother/daughter story. And what is the deal with people who want to benefit the world, and yet treat someone close with torturous rejection?

Frank Cottrell Boyce offers a mission statement that describes his pleasure of working in the freedom of the audio drama form. Well, I would imagine that it doesn't hurt that he had a fellow named Toby Swift in his corner with this project.

Anyway, I'm happy that the Friday Play is back and happy with the One Chord Wonders plays that I've heard and I wouldn't mind hearing the first two if anyone has any suggestions. . .

Do all the plays have a running Police gag? The two I heard both has a point where the protagonist has a little speech about punk music and, if you excuse the expression, Sting. Yes! Yes! Yes!

Leonard and Marianne

BBC Radio 4 visits with Marianne Ihlen. This is the woman from the Leonard Cohen song So Long, Marianne, they have a history that now dates back almost 50 years, and both visit that a bit in this brief radio documentary.
This is not them sitting in the radio studio together, the interviews are recorded on separate occasions.

Now, I should say that I consider Cohen to be a very special artist, and as Marianne says in the program, he is really more than that. And she should know since she knows him well. I mean, it is one thing what the public thinks on one based on the work or publicity, what ones friends and associates think is generally another thing altogether. Cohen is really more than a writer or singer, he is almost a spiritual figure, because some of the work is very strong indeed.

I particularly favor the CD from a few years ago called Ten New Songs. This is perhaps the most listenable of Cohen's song collections. It is a very smooth piece thanks to the wonderful musical settings provided by Sharon Robinson. I kind of wish he would do more work with her. She is on the new one Dear Heather, but with only one song.

Cohen is very interesting in interviews, he should really talk more. In this one we hear him talk about what it was like to be a young writer and how it was a bit of an eye opener that he couldn't make a living as a writer, even a published one. He also speaks very kindly of Marianne, as she does him. Also he seems to have reached a sort of serenity in old age. That's nice.
So check it out if you are al all interested in LC. You can listen again until about Saturday Aug 10, 2008.

Here is some video of Cohen and a longer interview with Marianne conducted in Norwegian. A English translation of Marianne's interview is available here.